both of these women sound wonderful, but one of them has a remarkably rich and full tonal quality that is present throughout her range. it doesn't narrow on the high end.
to make it simple, could you tell me who is singing on cut number 3?
Sorry, but I do not know what do you mean with "cut number 3." In any case, if you want to know in which track each of them (Sill, soprano, Verrett and Kern mezzo-sopranos)are singing, at the Amazon.com web site you can find this information, track by track:
Thank you so much!!! I've been dying to hear this, your blog is always amazing! I'm completely addicted. Anyways, though I admire Sills, her voice wasn't suited for an assoluta role like Anna Bolena (or Elisabetta in Roberto Devereux, or Norma), she lacked the powerful low register needed for it (Joan Sutherland lacked it as well), the best version is said to be Callas' since she handles both the high coloratura and the low declamation well, please post it if you can find it!!
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Jean Sibelius - Symphonies Nos 4 & 5
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Jean SIBELIUS (1865-1957)Symphony No. 4 in A minor, Op. 63Symphony No. 5 in
E flat major, Op. 82Berliner PhilharmonikerJames LevineRecorded:1994-02
(Symph....
Cecilia Valdés, una zarzuela cubana.
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El Teatro de la Zarzuela ha programado por primera vez en su historia una
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Verdi - "Il corsaro" - Acto 3.
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Ir al Primer acto. Comienza el tercer acto en los apartamentos de Said en
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Verd...
REGRESO A MADRID
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El pasado miércoles 25 de Junio, el Maestro Plácido Domingo, regresó al
teatro de su ciudad natal, Madrid. La actuación del tenor, después de la
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(DG 477 9878)
Este *Don* conta com pérolas que o transformam num putativo eterno
sobrevivente, num universo discográfico prolixo.
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*Hi! *
*I'm glad to tell you that An die Musik moved to another address, and
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Beethoven Symphony No.9 / Oskar Fried , Pearl
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*· Release Date:* 1993
*· Catalog #:* GEMM CD 9372
*· Label:* Pearl
*· Number of Discs:*1 CD
*· Composer:* Beethoven
*· Performer:* Leonard,Sonnenberg,Tra...
5 comentários:
this is fantastic!
both of these women sound wonderful, but one of them has a remarkably rich and full tonal quality that is present throughout her range. it doesn't narrow on the high end.
to make it simple, could you tell me who is singing on cut number 3?
i really wish i spoke portugese.
much gratitude for this great recording.
Sorry, but I do not know what do you mean with "cut number 3." In any case, if you want to know in which track each of them (Sill, soprano, Verrett and Kern mezzo-sopranos)are singing, at the Amazon.com web site you can find this information, track by track:
http://www.amazon.com/Donizetti-Bolena-Beverly-Sills-Julius/dp/B00005AWIL
thank you very much.
by "cut number 3" i meant track number 3, and i now know that it is shirley verrett. wonderful voice.
Thank you so much!!! I've been dying to hear this, your blog is always amazing! I'm completely addicted. Anyways, though I admire Sills, her voice wasn't suited for an assoluta role like Anna Bolena (or Elisabetta in Roberto Devereux, or Norma), she lacked the powerful low register needed for it (Joan Sutherland lacked it as well), the best version is said to be Callas' since she handles both the high coloratura and the low declamation well, please post it if you can find it!!
Sills is fantastic in this role!!
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